TASVEER FILM FUND
The Tasveer Film Fund supports groundbreaking original short films that the perspective of untold South Asian stories. As the first-ever dedicated grant towards the perspectives of South Asian stories, the fund plays a pivotal role in nurturing bold, authentic, and socially impactful storytelling.
Why Tasveer Film Fund?
Representation matters! Mainstream media often fails to accurately reflect the diversity of South Asian experiences, leaving vital stories untold. Tasveer Film Fund seeks to bridge this gap by empowering storytellers to share nuanced perspectives that challenge stereotypes, inspire empathy, and spark meaningful dialogue.
What We Offer
The fund provides monetary grants, mentorship, and industry exposure to mid-level experienced filmmakers. Stories must be unique and honest covering any part of the perspectives of South Asia and its Diaspora. The story must contain emotions that are globally resonant.
Tasveer Film Fund seeks to bridge this gap by empowering South Asian stories sharing nuanced perspectives that challenge stereotypes, inspire empathy, and spark meaningful dialogue.
Since its inception in 2020, Tasveer Film Fund has supported 15 projects, showcasing their work at international festivals like Tribeca and beyond.
Eligibility:
Open to filmmakers residing in the U.S. or Canada with a short film scripts rooted in South Asian stories.
Materials to Submit:
Final script, line-item budget (within $35K), lookbook/pitch deck, director’s background, and a short note on why you’re great to work with.
How to Apply
Submit your application via FilmFreeway by August 5, 2025. Incomplete submissions will not be considered.
Production Timeline:
Date | Milestone |
---|---|
August 5, 2025 | Application Deadline |
Late August 2025 | 9 Finalists Selected |
October 7–10, 2025 | Live Pitch at Tasveer Film Market in Seattle |
Mid-October 2025 | 4 Grant Winners Announced – Each receives $35,000 |
November 2025 | Grant Disbursement + Kickoff Call with Tasveer & Industry Mentors |
Nov 2025 – Jan 2026 | Pre-production (casting, scheduling, crew hiring) |
Feb – March 2026 | Principal Photography |
March – April 2026 | Post-Production (editing, sound, color grading, fine cut) |
April 10, 2026 | Film Cut Submitted to Netflix for Review |
May 15, 2026 | Final Film Delivery to Tasveer |
October 2026 | World Premiere at Tasveer Film Festival 2026 |
Join Us in Shaping the Future of South Asian Cinema
If you want to create a fund for filmmakers based on a theme, please contact tff@tasveer.org.
Rules & Regulations
Applicants to the Tasveer Film Fund must meet the following requirements:
Story Perspective: Projects must be rooted in or reflect narratives from South Asia or its diaspora, centering South Asian experiences, themes, or characters.
Filmmaker Experience: Applicants should have mid-level experience — having directed or produced at least one short film prior to applying.
Script Requirement: A completed short film script is required at the time of submission.
Residency: Open to residents of the United States and Canada only.
Inclusivity: We welcome filmmakers of all ethnicities, races, genders, sexual orientations, and religions whose work aligns with the fund’s mission to support South Asian stories.
From a pool of exceptional submissions, nine finalists will be selected to pitch their short film projects live at the Tasveer Film Market in Seattle, taking place October 8–10, 2025. A jury of industry professionals will select four winning projects to receive the enhanced grant and bring their bold stories to life.
Must submit one combined PDF
(a) Screenplay (Complete, first draft is fine)
(b) Pitch Deck with
-Logline
-Short Synopsis
-Long Synopsis
-Director’s Bio
-Director’s Statement
-Visual and Treatment Note, or LookBook
-Estimated Budget Top Sheet
-Partners attached (optional)
-Talent attached (optional)
TASVEER FILM FUND WINNERS
2024

Karan Sunil is an Indian-American writer and director based in LA. His heist comedy feature, THE FAMILY JEWELS, is being produced by Invention Studios and he is also currently writing a comedy feature for Ryan Coogler’s Proximity Media.
In television, Karan has developed a comedy pilot for Hulu and Lionsgate TV based on his hit web series CODE-SWITCHED which he wrote and directed.
He has also developed a dark comedy pilot for Sony Pictures Television. Karan was a 2020 Film Independent Project Involve Writing Fellow and has previously written humor for The New Yorker and McSweeney’s. Having immigrated from India as a young boy, Karan uses genre storytelling to reflect the humor and pain that come from characters caught between different worlds.
He is a graduate of DePaul University with a BA in Digital Cinema & Television Writing.

Moitri Ghosh is an Indian-born, Atlanta-based director raised in India, Vietnam, Bangladesh, and the US. Driven by her fascination with human behaviour and visual aesthetics, Moitri studied
Psychology and Graphic Design at Smith College.
At Ogilvy advertising, Moitri climbed the physical production ladder to line producer before transitioning to creative producing for clients such as IBM, American Express, and Comcast. Moitri directed internal videos ranging from pitches for prospective clients to pro bono clients.
At MasterClass, Moitri produced five classes and creative-produced over a dozen class trailers. After she directed b-roll for classes and art directed a trailer, Moitri decided to transition careers to directing.
Moitri developed and followed a self-guided curriculum based on the top film schools. She studied screenwriting, joined acting studios, and took directing workshops under the tutelage of Mary Lou Belli, Bethany Rooney, Lesli Linka Glatter, Rachel Raimist, Peter Werner, Geary McLeod, and John David Coles. During COVID, she remotely directed a narrative short. Moitri co-directed the Mashama Bailey multicam cooking MasterClass and directed the Joan Benoit multicam running MasterClass. She was a semifinalist for the AFI DWW+ 2023-2024 program, and then she was selected as an Alternate for the AFI DWW+ 2024-2025 program. Her narrative short “Choose You” is in post-production. She is fundraising for her next short “By Design” to shoot this fall. Most recently, Moitri completed a virtual shadow with DGA television director Mary Lou Belli where she shot listed an entire episode, storyboarded action sequences, simulated meetings, and presented overheads for select scenes.

Meera Angelica Joshi is a filmmaker and documentarian who loves to investigate our connection to each other and the planet through her work. She was born in New Zealand, raised in Australia and moved to New York City to study film at NYU.
Driven by her curious spirit, Meera has made short films with farmers in the Andes of Peru and entrepreneurial villagers in India. Her short films have aired on Australian television, been featured in the New York Times and have played at film festivals internationally.
Meera uses skills honed from documentary filmmaking when crafting her scripted projects, thoughtfully researching protagonists with different lived experiences than her own and bringing their voice into every project she writes.
Meera has worked with large companies such as Google and Bloomberg as well as small businesses. She strongly believes in the power of community and has been an active member of collectives including Pano, WOCU, Kalakars and the Pan Asian Screen Collective. She currently produces and directs commercial, narrative and documentary projects for Darling Street Pictures
2023

Haunted by her mother’s death, a young Indian-American doctor journeys back to India to find meaning. While there, an unexpected encounter with a young indigenous girl makes her confront her past and question her future.

CHANNEL BIBI, a narrative short, explores generational trauma in a fantastical world of Hashtags, Followers, and Influencer-Status. When a lonely grandmother becomes an internet sensation on YouTube, she questions whether her online fans can replace her distant family.

Amidst the eerie silence of night, Yassin faces a life-altering decision at a desolate bus stop. But fate takes an unexpected turn, propelling him and his resolute cousin Ayesha into a relentless quest for justice against an unforgivable injustice.
2022

A woman with severe OCD is forced to examine why a sense of “home” is beyond her control.

When, Mustafa, the Imam of a mosque in rural Florida learns that a young trans man has been praying in the men’s section of the mosque, the Imam faces a moral and ethical crisis of faith as he decides if his loyalty is to uphold the established values of his mosque or to protect this trans man’s safety and spiritual belonging.

When Hafsa, a sparkly and impulsive 12-year-old girl, is made aware of her unibrow at Islamic Sunday School in a lesson on “cleanliness”, her chatty and aunty-like eyebrows come to life and begin to speak to her.
2021




2020

FAQs
Filmmakers must present perspectives from South Asian Stories.
and distribution phases. This includes guidance on story development, budgeting,
scheduling, casting, and more.
Please Note: The LGBTQIA+ category is open only to filmmakers who identify as LGBTQIA+.
You will have access to 25 hours of training and mentorship from Tasveer, dedicated to bring your project to life.
We will help you network with the film community to get the resources you need to complete your film.
There will be a dedicated session about the best way to distribute your film.
Your film will premiere at our 2024 Tasveer Film Festival.
For short films, we fund projects from the pre-production stage.
Scripts must be submitted in English, even if they might be shot in another language. Filmmakers must be based in the US & Canada and with a US or Canadian bank account to receive funds.
The script/story cannot discriminate against people of any background, ethnicity, religion, race, sexuality, or gender.
Filmmakers must include an estimated top-sheet production budget and indicate how the funds will be utilized.
Submission fees are non-refundable regardless of the outcome of the submission.
SPONSORS
